First off, I have a new found appreciation for anyone working in gouache. Second, I thought this was interesting because the artist works in black and white (although he does shade). Third is that although I don't like the images themselves I found myself admiring the design anyways instead of just dismissing something that wasn't visual candy to me. I dont' like the subjects but the designs have something to them. If you blur your vision it's cool to see how well the placement of the white works on the black background. Again, liked the designs and was unimpressed by content. Any thoughts?
-deb
http://designerscouch.org/show_news/489/the-stunning-gouache-paintings-of-kazuki-takamatsu.html
Saturday, January 30, 2010
Friday, January 29, 2010
Thursday, January 28, 2010
Uncertain Objects: A panel discussion on the confluence of art, design, and architecture
2:30pm, Saturday, January 30
Moderated by Design Loves Art Curator, Helen Varola
Panelists Walead Beshty, T. Kelly Mason, and JohnstonMarkLee (Mark Lee and Sharon Johnston) will convene in an hour-long panel discussion entitled, Uncertain Objects. This group of artists and architects will share their insights dealing with the connection and separation between architectural/design object and the artwork.
ALAC Conference Center
2ND Floor Blue Building
Tuesday, January 26, 2010
3 points
3 points:
thumbtack on a wall
- take a picture
- throw something at it
- circle it
- draw a picture of it
- color it red
- point to it
- arrange other objects pointing at it
- clear away everything else around it
- put it under a spotlight
- look at it
corner of a box
- color the box except the corner
- put a point on it
- mark it with an x
- laser pointer on it
- balance the box on the corner point by itself
- draw arrows leading to the corner of the box
- write on the box: corner on the box
- cut the corner off and reattach it
- film the corner and zoom into the point
- put a thumbtack on it
screw in the corner of a light fixture
- make it a different color than the other screws
- draw a map to it
- shoot it
- unscrew it a little but leave the other screws in tight
- make it a different type of screw
- draw a metaphor for the screw
- paint the light fixture in detail but leave out the screw
- write a detailed description of the screw
- tie strings to the screw and leave them hanging in different directions
- put a sign on the wall that says "look up at the screw" with an arrow
thumbtack on a wall
- take a picture
- throw something at it
- circle it
- draw a picture of it
- color it red
- point to it
- arrange other objects pointing at it
- clear away everything else around it
- put it under a spotlight
- look at it
corner of a box
- color the box except the corner
- put a point on it
- mark it with an x
- laser pointer on it
- balance the box on the corner point by itself
- draw arrows leading to the corner of the box
- write on the box: corner on the box
- cut the corner off and reattach it
- film the corner and zoom into the point
- put a thumbtack on it
screw in the corner of a light fixture
- make it a different color than the other screws
- draw a map to it
- shoot it
- unscrew it a little but leave the other screws in tight
- make it a different type of screw
- draw a metaphor for the screw
- paint the light fixture in detail but leave out the screw
- write a detailed description of the screw
- tie strings to the screw and leave them hanging in different directions
- put a sign on the wall that says "look up at the screw" with an arrow
even RAD-ER video from Beautiful Decay
IF ANYONE CAN TELL ME WHAT SONGS ARE IN THE VIDEO, I WILL BE YOUR BEST FRIEND
THANKS,
irene
From Top to Bottom to Top from Tobias Wildi and Sidney Widmer on Vimeo.
Amir Fallah visits FA102 on Thursday 1/28
Los Angeles based painter and creator of Beautiful/Decay, Amir H. Fallah, will be visiting our class this Thursday 1/28. All Roski students, staff and faculty are welcome to join us.
Session 1: 11am -12pm, HAR 117
Session 2: 2pm - 3pm, HAR 117
Session 1: 11am -12pm, HAR 117
Session 2: 2pm - 3pm, HAR 117
Amir H. Fallah
Flex Your Head, 2008
7'x5' acrylic,watercolor,ink,collage,pencil on paper mounted to canvas.
7'x5' acrylic,watercolor,ink,collage,pencil on paper mounted to canvas.
Monday, January 25, 2010
Peanut butter and rubber cement
So, you know how Sherin told us that to mount the designs with cement you had to do one wash on each side that you're gluing together? It goes for peanut butter sandwiches as well. True story. If you just put the peanut butter on one side then the bread wont stick together as well. I recommend spreading a thin to medium sized portion on both sides, letting it sit for half a minute, and then squeeze the bread together.
:P
-Deb
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