Monday, February 23, 2009

Culver City Galleries

My photos uploaded in reverse order for some reason, but it's all good. I believe the above is a photograph of a hospital hallway, but I was initially drawn to it because of its simple but very harmonious color scheme. I like how you cannot really tell what it is a composition of, but it's beautiful regardless.



I loved this gallery even though I didn't really know what was going on. My shoes inadvertently ended up in the shot but I thought it made for a cool little composition. The blue light installations are gorgeous, though.



I think my favorite piece throughout all the galleries we ventured through. There's just something so perfect about this photograph of two intertwined hands. I like how the grayscale is very well balanced, and I also like how, even though the arms directly cut across the diagonal, there's almost something grotesque about two naked arms protruding from the corner of the page that brings a lot of dimension into the photograph.




I loved the Yoshitomo Nara exhibit. His work just makes me fall in love with the whole, Japanese pop art movement, the way his characters are a little creepy but all have this ethereal, cherubish quality to them.


Culver City

Derek Buckner


Matt Chambers


Marianne Mueller



Yoshitomo Nara




Becca Man


Valerie Favre




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Sunday, February 22, 2009

Project 2 by Jeska

The artist that I chose for this project was Bart Exposito. At first glance his works did not particularly grab my attention but looking at his pieces more closely you begin to see how intricate and complex they are. His art is graphic and very geometric. I think one of the major themes of his work is its understated complexity. Here are some examples:











Most of his work has a lot of movement because the lines are continuous and intricate. I used his technique with lines with wrapping and intertwining them throughout the layers of the image. I didn't realize how difficult and complicated his work was until I tried to copy his images in my sketchbook. It gave me a whole new perspective on how thoroughly his pieces were thought out. His work was also influenced by fonts and letters which I also used in my project.

Movement


This is the most complex of my pieces and in my opinion the most interesting. It was one of my first sketches that I really liked but doing the blow-up version became really confusing to work on because there were so many lines. It was also the first piece that I cut out which is why the craftsmanship is not that great. I also cut out some wrong areas that were supposed to either black or white so I had to make up some of it as I went along. Ultimately, I think this would have been a much better piece if the lines were cleaner and the craftsmanship better.

Repitition



This piece I appreciated more as the drawing then the way it looks after I cut it out of the gouache. I think the scale of the pattern should be smaller and the triangles bigger because they seem awkwardly all the same relative size. Also I think there is too much white in the overall composition but I do like the placement of the strong slanted lines. I also used Shepard Fairey's floral print as the pattern.

Emphasis and Economy



This category was the most difficult one for me and I'm unsure at how successful this piece is in representing emphasis and economy. Nonetheless I really like the way it turned out. I thought about how I could create a letter by using the negative of shapes to imply the lines of a letter. It's simple and flat.

Balance


This one is also simple and flat but I used Exposito's wrapping lines to add an interesting element to the letter. This one is a variation of one of his first pieces I saw (which I've posted above). I like how you can never tell where his lines end or begin because they weave in and out of his layers. However, I don't think this piece is that successful for balance because the bottom circle is larger and heavier so the weight of the picture is pulled downwards. It seems predictable and obvious. Perhaps it would have looked better upside down.

Gouache Day

Intense Gouache Day!

Foreals.

Check out my poor carrot.


When I bit into my carrot the other end flew out from my mouth and fingers and plopped right into my gouache.


Anywayyyyyyy, let's take a look at other people not eating carrots and intensely working on their neutral grey gouache.







Oh, Andrew. The palette knife is for mixing gouache, not for your nose...

And more students working hard~




And finally, my poor carrot once again. Take a closer look, and you can see the dried-up gouache stuck on the carrot. Yuck~

Project 2

For this project my inspiration came from Charley Harper. The way he illustrates wildlife and nature intrigued me because he was able to draw his figures to a minimal yet capture the essence of his subjects visually. His choice of color for his subjects are never dull; it is full of life and vibrance. His style of drawing interested me - the way his subjects were animated, yet realistic.








Being inspired by Charley Harper's work, I decided to make my project revolve around a theme - birds.
Here is an example of a black and white movement composition. Even though the bird itself may seem stagnant, the movement I created by the use of multiple raindrops, thus adding variety, creates the sense of movement in this piece.



Here is an example of a black and white repetition composition. I got inspired by Harper's use of repetition with his birds. In order to make this piece more playful, I added more contrast by the use of diagonal lines in the background as well as the birds itself. One group of birds have more of a specific outlining compared to the other group of birds. To add variety, I further playfully added parts of birds in each corner to induce the feeling to the viewer that there are more groups of birds involved in the piece.



Here is an example of a black and white balance composition. In order to capture balance to the viewer, I added trimmings of branches and a small handful of leaves around the bird figure. The sky would be left empty so I added another shape that may either represent the sun or the moon. I did not want a solid figure of a sun or moon because that might make the top left of the piece visually heavy, therefore I added further trimming to make it seem lighter to the composition.



Here is an example of a black and white emphasis and economy composition. In order to capture the essence of this composition, I chose a simple illustration - a bird on a branch. I used delicate lines in contrast with bolder lines to capture the emphasis of the figure thereby acquiring economy as well.