Yesterday I drove in and out of downtown with a friend as a
study break from those stressful finals. We ended up by the Union Station,
where there was some sort of Mexican-culture celebration, full of shops, music
and dancing. We explored around and went into a museum called “Las Plaza de
Cultura y Artes.” There were many exhibits showcasing the history of Mexicans
in Los Angeles, past vs. present Mexican culture, the architect of old
buildings and a simulation of what Main Street looked like in the past (which
was super cool).
My favorite exhibit was the “Day Of The Dead/El Dia De Los
Muertos,” which comprised of many sculptural interpretations of the skull – the
Mexicans’ main symbol of death. For Mexicans, death is not necessary deemed as
devastating; they see death as an inevitable end of life and surprise many with
how comfortable they seem to be with the idea of death. Mexicans believed in
duality, so where there is day and night, there is life and death. During el dia de los muertos celebrations, they
even give each other skull- and skeleton-related presents.
Jose Sacal’s sculptures capture the fascination Mexicans
have with death. He takes the formal shape/perspective of the skull and warps
them to reveal contemporary dimensions. Sacal fully explores the skull, deconstructs
it and rebuilds it using various materials like bronze, silver or resin. He is
very ambitious and unafraid in his work, and plays on Mexicans’ affinity for
skulls to create sculptures that are stripped down into its core nature. His
exhibit is paradoxical in a way, with intact and disintegrating pieces, and
naturalistic and abstract elements.
Here are some of the photos I managed to take:
Caldo de muerto (Death soup), bronze |
Pan de Muerto (Bread of the Dead), cermaic and electroplate |
Saco de boxeo (Punching bag), bronze |
Principio (Beginnings), resin |
Aberraciones (Aberrations), electroplate |
Armado hasta los dientes (Armed to the teeth), bronze |
Hope you enjoyed!
- Jenny
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